Gear Cultures of Audio and Music Technologies【電子書籍】[ Eliot Bates ]＞★○1805 - メガネ市場

＜p＞＜strong＞A critical examination of the twenty-first century fetishization of professional audio technologies, and how it led to a new social formation: gear cultures.＜/strong＞＜/p＞ ＜p＞Gear: mixing consoles, outboard effects processors, microphones. These are professional studio recording-related technological objectsーthe tools of the recording industryーyet their omnipresence in the broader music industries and prosumer markets transcends the entrenched pro audio engineer guild. In ＜em＞Gear: Cultures of Audio and Music Technologies＜/em＞, authors Eliot Bates and Samantha Bennett ask: How does gear become gear? Why is it fetishized? And how is it even relevant in the predominantly digital twenty-first-century music technology landscape?＜/p＞ ＜p＞This multisited, multicountry, multiplatform, and multiscalar study focuses on gear in the present day. The authors trace the life of gear from its underlying materialities, components, and interfaces to its manufacturing processes, its staging in sites including trade shows and message fora, and its reception through (gear) canons, heritage, and obdurance. This book implements a meticulous multimode methodology drawing upon more than twenty-five firsthand long-form interviews with audio industry professionalsーincluding gear designers, users, and publishersーas well as new findings drawn from multisited fieldwork, online discourse analysis, and visual ethnography.＜/p＞ ＜p＞＜em＞Gear＜/em＞ examines the present-day prevalence of gear and the existence of its surrounding passionate, competitive, and sometimes ＜em＞bizarre＜/em＞ gear cultures.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。・・・楽天Kobo電子書籍ストア